Protozone11: it’s weird
Leave No Trace (Athens) I-VIII
plays with the memory of lived and shared experience, transforming manipulated images of performance documentation (specifically, SULK performed at the 6th Athens Biennial in 2018), into a modular set of transparent screens. The work focuses on the idea of embodied text—becoming together with text, in physical and digital spaces. It also deals with the idea of documentation (in its various forms) and its implications with surveillance, collection, quantification and distribution of shared experience. The screens here form a spatial installation which is activated by the movement of the audience; the stretched chiffon textiles acquire and lose saturation viewed at different angles, becoming a ghostly presence in the space.
emits a perfume that exists as a molecular imprint of the SULK performance. Produced in collaboration with IFF Inc. on the basis of the air samples captured with the use of headspace technology on site of the aforementioned performance, RYXPER1126AE 02:60 can be understood as an olfactory method of documentation of performance and space. RYXPER1126AE 02:60 bears a poetic sign or memory of belonging to a certain intimate collective experience, conceived through olfactory acts, contractual, ritual-like gestures carried out, as part of the choreography of the SULK performance.
Votive Flowers and Freestanding Votive Flowers
are situated in different places throughout the exhibition space, sometimes blocking the way like stumbling blocks. This sculptural series focuses on the collective and ritualistic moments of grief while referring to the votive offerings. Here the plastic fiber-optic flowers are positioned in the place of an offering, thus, bearing a pledge that rejects nostalgic wallowing in bygone times and points to a new future worth living. Unlike living flowers, they do not wither and thus are at once a reminder, a memorial, and a new beginning.
Dorota Gawęda (PL) and Eglė Kulbokaitė (LT) are an artist duo living and working in Basel. Both graduated from the Royal College of Art in London in 2012. Their work spans performance, sculpture, photography, painting and video. They are the founders of the YOUNG GIRL READING GROUP (2013–2021). They have exhibited internationally including at: Kunstraum Niederoesterreich, Vienna (2022); Centre Culturel Suisse, Paris (2022); Kunstverein Hamburg (2021); Istituto Svizzero, Palermo and Milan (2021); Kunstverein Leipzig (2021); Swiss Institute, New York (2020); Julia Stoschek Collection, Düsseldorf (2020); Fri Art – Kunsthalle Fribourg (2020); Futura, Prague (2019); Lafayette Anticipations, Paris (2019); Palais de Tokyo, Paris (2018); Cell Project Space, London (2018); 6th Athens Biennale (2018); Kunsthalle Basel (2017); ICA, London (2017); MOMA, Warsaw (2016); Berlin Biennale 9 (2016); MaM, Paris (2015) among others. They are the recipients of CERN Collide Residency 2022 and laureates of the Swiss Performance Art Award 2021.
QUEER TRUST is an attitude that draws from and relies on the in-between. It has shaped the work at Shedhalle as a space for process-based art since 2020 and is also the basis of Protozone8. The exhibition shows artistic works and ways of working that trust in relationships and processes beyond fixed attributions. The participating artists share intimate, vulnerable, open, and courageous artwork. In doing so, they question (gender) identities as well as artistic, scientific, and social traditions and classifications.
open every Sat 14-20h & Sun 14-18h
29.10. 20h BEAST! Performance by Tarek Lakhrissi
04.-06.11. The Institute for embodied creative practices by Isabel Lewis
in collaboration with Josephine Baan, Nina Emge, Izidora l Lethe, Ceylan Öztrük, Tyra Wigg and international academies
“…explores bestiality as a philosophical and political concept by drawing on the stigma that historically frames queers and PoC as monstrous. Through read- ings of my recent romantic/radical poems accompanied by the lyrical vocals
of Makeda Monet and the electronic music of Victor da Silva. BEAST! explores utopian queer passions, rituals for lost ones, dark corners to protect oneself in, erotic dreams, and… you’ll see. All the poems are from my last poetry book LE SANG! (BLOOD!) published by Lafayette Anticipations.”
‘The Institute for embodied creative practices’ was hosted at Shedhalle by Isabelle Lewis from 3-6 of November during Protozone8 – Queer Trust.
We are grateful for the collaboration with Joseph Baan, Nina Emge, Izidora I LETHE, Juliette Uzor, Tyra Wigg, HGB Leipzig, HSLU Luzern, ZHdK Zurich and many more international art schools.
The Institute for Embodied Creative Practices is an ambulatory corpus of particular concerns and the sensorial methodologies for addressing them founded by artist and choreographer Isabel Lewis.
Lewis (*1981, Santo Domingo) is a US artist with Dominican roots. She studied literature, dance and philosophy and is now active in theater, dance and music. Her work expanded the field of contemporary art to include the format of Occasions. With persistent experimentation and research methods that emerge from bodily experiences, Lewis creates alternative forms of sociality between human and non-human actors. The artist’s body of work to date includes the formats Occurrences, Arrangements, Activations, Expanded Viewings, Sensory Parcours, as well as workshops, listening sessions, and lecture performances. The focus of her fundamentally collaborative practice is on affective bodily experiences that engage all the senses.
The Institute of Embodied Creative Practices was supported by Kanton Zürich Fachstelle Kultur & Callies Berlin
Curated by Philipp Bergmann & Thea Reifler
Sunny Pfalzer was hosting their ‘Becoming Justin Bieber’ Workshop, a somatic dance karaoke gathering, during Zurich Art Weekend at Shedhalle!
Thank you for everybody who joined. Together we discovered how the choreographic gestures of pop cultural music videos felt in our bodies. Resisting through slow-motion awkwardness, we all became our own versions of Justin Bieber & Co. ♪
Assistance Sculptures: Nico Rueda
Pictures by Vaida Mikliusiene
Curated by Philipp Bergmann & Thea Reifler
in the framework of Protozone8
Shedhalle brings together three artists for their first major institutional collaboration in Switzerland. Selma Selman, Mikołaj Sobczak, and Nicholas Grafia, friends who come from very different backgrounds, will spend a two-week-residency-period at Shedhalle. Together they will develop a spatial installation with their drawings, paintings, sculptural and video works.
And they will work on a new performance that will be presented on 16th and 17th of December, exploring the possibilities of experimental and political theatre. With references to absurdist performance and humorous play, they focus on social reality. They draw on narratives that are derived from socially stigmatized individuals and their bodily histories, but also their resilience and resistance.
Curated by Phila Bergmann & Thea Reifler
Curatorial Assistance: Vanessa Bosch
Graphic Design: Studio Yukiko
19.12.2023 – 15.01.2023
Sa 14–20h & Su 14–18h
At this moment, we make time for “timing-out”. In the middle of our five year endeavor PROTOZONES 2020-2025 we take some time to gather and reflect on our curatorial practice. As part of this, we invite collaborators who are already in the process of preparing contributions for future Protozones. All together, we wish to create a common space of gathering, inviting you for workshops, games, screenings and food.
We are looking forward to spending this time together with you. Lucie Tuma, Michelangelo Miccolis, Phila Bergmann & Thea Reifler.
Pictures: “How to create comfortable resting positions with _____”, Engy Mohsen and Gabriel Hensche, 2022, game session at Iron Velvet, New York. Photo: Cristian Chironi
Saturday 15.04. 18-22h
Sunday 16.04. 11-18h
At this moment, we make time for “timing-out”. In the middle of our five year endeavor PROTOZONES 2020-2025 we take some time to reflect on our curatorial practice. This process is accompanied by a screening program of video-works by artists who are already preparing contributions for future protozones
TouchMeTell by melanie bonajo
+Closing Gathering with Aga Pedziwiatr (DIVAS), Byungseo Yoo, He Shen und Chaos Angel (for more info see rider “Program”)
28.05. 14-18h & 29.05. 14-18h
With: Angela Goh, Autumn Knight, Kris Lemsalu, Pontus Pettersson, Michael Portnoy
We are reclaiming the weird.
Not the uncanny, or necessarily the strange, but the weird as that which is out of place, a refusal in plain sight, a blurring of boundaries and relations. By challenging dominant perspectives, which have historically framed what is the “correct” narrative, weirdness becomes a space of knowledge production.
We invite a selection of artists and thinkers to imagine together how weirdness can create alternative and inclusive futures.
June 09-11, Zurich Art Weekend (free entry!)
Fri, June 09, 17:00 – 23:00
18h Angela Goh, Body Loss (2017) PERFORMANCE (Swiss Premiere)
19h Angela Goh, The Concert (2022) FILM (European Premiere)
19h45 Michael Portnoy, Progressive Touch (2020) FILM
20h Kris Lemsalu, New untitled performance in collaboration with Maria Metsalu
22h Michael Portnoy, Progressive Touch (2020) FILM
Sat, June 10, 14:00 – 20:00
19h Angela Goh, The Concert (2022) FILM
Sun, June 11, 14:00 – 18:00
17h Angela Goh, Body Loss (2017) PERFORMANCE
17.06. – 6.08.
open every Sat 14-20h & Sun 14-18h
Check for weekly updates on the SHED