Proto-Club4: Timing Out Closing Weekend
Closing Gathering 29.05. 18-22h
Protozone11: it’s weird
White and Black, Things and Rituals
Glazed clay and paper
Alicia Velázquez’s installation is an invitation to savor and share a metaphorical meal. Crafted in ceramic, eight “dishes” compose a delicious visual and haptic “meal” that is laid out on a large table. The meal represents the conclusion of her six-month project “White and Black, Things and Rituals,” which explores themes of togetherness and belonging. Each of the eight “dishes” has been co-prepared in intimate encounters with eight Spanish women of different ages, backgrounds, and arrival years in Zurich. During these encounters, each woman was invited to prepare a “meal” representative of her self by using clay as her medium. Migrant misinterpretations, cultural dissonances, daily stories, memories, personality traits, as well as past, present, and future are thus inscribed in these cooperative ceramic objects.
The installation is exhibited following the event “White, Black, and Things,” which takes place on December 5th as part of Club La Fafa’s Diaspora Talk. “White, Black, and Things” invites the participating women, together with the audience, to collectively activate the installation during an open conversation.
Through its exploration of private and public, both the project and event aim to connect individual and participatory rituals, focusing on the inner stories that express our common human foundations beyond culture, gender, race, profession, or social status.
Supported by: Covid-19 Stipendium der Stadt Zürich Kultur, Kanton Zürich Bildende Künste
Alicia Velázquez’s work explores intimacy and belonging, aspects of time, and the convergence of internal and external realities by using a fluid variety of media. Her ritualistic performances and installations act as scaffolds where humans, objects, lines, and colors are invited to construct and experience moments of togetherness. With recurrent inquiries into her own as well as others’ timely identity, Velázquez performs ritualistic, years-long repetitive actions, which are often interwoven with her personal, intimate routines.
Alicia Velázquez studied architecture at the Universidad Politécnica de Madrid. After her graduation she worked and lived in New York City, Amsterdam, Barcelona, and Madrid before eventually moving to Zurich in 2013. As an independent designer, Velázquez works across cultures, teams, disciplines, and media, including graphic design, scenography, interiors, and installations. In 2015, she received the ADAPTr Marie Curie European grant for a residency period in Brussels (1,5 years), during which she developed her first performances.
Please buy your tickets online via https://langenacht-zuerich.ch/ or register for free to participate in the cooking via firstname.lastname@example.org
The effects of climate change as well as of war are impacting not only the worldwide supply with fossil fuels but also very basic food supply, especially in the global south. Proto-Club3 responds to the current crisis by bringing together two artistic perspectives on the complex question of how to treat and preserve food as our basic resource of survival.
Kindly supported by Kompotoi
QUEER TRUST is an attitude that draws from and relies on the in-between. It has shaped the work at Shedhalle as a space for process-based art since 2020 and is also the basis of Protozone8. The exhibition shows artistic works and ways of working that trust in relationships and processes beyond fixed attributions. The participating artists share intimate, vulnerable, open, and courageous artwork. In doing so, they question (gender) identities as well as artistic, scientific, and social traditions and classifications.
open every Sat 14-20h & Sun 14-18h
29.10. 20h BEAST! Performance by Tarek Lakhrissi
04.-06.11. The Institute for embodied creative practices by Isabel Lewis
in collaboration with Josephine Baan, Nina Emge, Izidora l Lethe, Ceylan Öztrük, Tyra Wigg and international academies
“…explores bestiality as a philosophical and political concept by drawing on the stigma that historically frames queers and PoC as monstrous. Through read- ings of my recent romantic/radical poems accompanied by the lyrical vocals
of Makeda Monet and the electronic music of Victor da Silva. BEAST! explores utopian queer passions, rituals for lost ones, dark corners to protect oneself in, erotic dreams, and… you’ll see. All the poems are from my last poetry book LE SANG! (BLOOD!) published by Lafayette Anticipations.”
‘The Institute for embodied creative practices’ was hosted at Shedhalle by Isabelle Lewis from 3-6 of November during Protozone8 – Queer Trust.
We are grateful for the collaboration with Joseph Baan, Nina Emge, Izidora I LETHE, Juliette Uzor, Tyra Wigg, HGB Leipzig, HSLU Luzern, ZHdK Zurich and many more international art schools.
The Institute for Embodied Creative Practices is an ambulatory corpus of particular concerns and the sensorial methodologies for addressing them founded by artist and choreographer Isabel Lewis.
Lewis (*1981, Santo Domingo) is a US artist with Dominican roots. She studied literature, dance and philosophy and is now active in theater, dance and music. Her work expanded the field of contemporary art to include the format of Occasions. With persistent experimentation and research methods that emerge from bodily experiences, Lewis creates alternative forms of sociality between human and non-human actors. The artist’s body of work to date includes the formats Occurrences, Arrangements, Activations, Expanded Viewings, Sensory Parcours, as well as workshops, listening sessions, and lecture performances. The focus of her fundamentally collaborative practice is on affective bodily experiences that engage all the senses.
The Institute of Embodied Creative Practices was supported by Kanton Zürich Fachstelle Kultur & Callies Berlin
Curated by Philipp Bergmann & Thea Reifler
Sunny Pfalzer was hosting their ‘Becoming Justin Bieber’ Workshop, a somatic dance karaoke gathering, during Zurich Art Weekend at Shedhalle!
Thank you for everybody who joined. Together we discovered how the choreographic gestures of pop cultural music videos felt in our bodies. Resisting through slow-motion awkwardness, we all became our own versions of Justin Bieber & Co. ♪
Assistance Sculptures: Nico Rueda
Pictures by Vaida Mikliusiene
Curated by Philipp Bergmann & Thea Reifler
in the framework of Protozone8
Shedhalle brings together three artists for their first major institutional collaboration in Switzerland. Selma Selman, Mikołaj Sobczak, and Nicholas Grafia, friends who come from very different backgrounds, will spend a two-week-residency-period at Shedhalle. Together they will develop a spatial installation with their drawings, paintings, sculptural and video works.
And they will work on a new performance that will be presented on 16th and 17th of December, exploring the possibilities of experimental and political theatre. With references to absurdist performance and humorous play, they focus on social reality. They draw on narratives that are derived from socially stigmatized individuals and their bodily histories, but also their resilience and resistance.
Curated by Phila Bergmann & Thea Reifler
Curatorial Assistance: Vanessa Bosch
Graphic Design: Studio Yukiko
19.12.2023 – 15.01.2023
Sa 14–20h & Su 14–18h
At this moment, we make time for “timing-out”. In the middle of our five year endeavor PROTOZONES 2020-2025 we take some time to gather and reflect on our curatorial practice. As part of this, we invite collaborators who are already in the process of preparing contributions for future Protozones. All together, we wish to create a common space of gathering, inviting you for workshops, games, screenings and food.
We are looking forward to spending this time together with you. Lucie Tuma, Michelangelo Miccolis, Phila Bergmann & Thea Reifler.
Pictures: “How to create comfortable resting positions with _____”, Engy Mohsen and Gabriel Hensche, 2022, game session at Iron Velvet, New York. Photo: Cristian Chironi
Saturday 15.04. 18-22h
Sunday 16.04. 11-18h
At this moment, we make time for “timing-out”. In the middle of our five year endeavor PROTOZONES 2020-2025 we take some time to reflect on our curatorial practice. This process is accompanied by a screening program of video-works by artists who are already preparing contributions for future protozones
TouchMeTell by melanie bonajo
+Closing Gathering with Aga Pedziwiatr (DIVAS), Byungseo Yoo, He Shen und Chaos Angel (for more info see rider “Program”)
28.05. 14-18h & 29.05. 14-18h